No. 30 (2018)

The third publication of 2018 focuses on the experimentation of emotions through disciplines such as literature, art, and poetry. All of these combine an analysis of different circumstances or time periods. Specifically, the volume explores the testimonial work of Uruguayan writer Carlos Licano and his relationship with prison, as well as the effects of the transformation of reality taking place in the political underground. It also reviews Invencionismo and Concrete Art, avant-garde movements that attempt to approach tango in Argentina to articulate a poetic practice in the 1940s. It also examines the symbolism of the owl in the work of Dylan Thomas and Jorge Tellier. The 1990s are present with a study of the environmental political ideas that preceded the Rio 92 summit in Brazil and how social interactions could be transformed into artistic practice during those years. The publication also includes a review of Descompasso. Angola 1962, by Onofre dos Santos, discusses the interference of Portuguese forces during the country's autonomy process, blending elements of fact and fiction.